preface: I am really upset as I am writing this blog because I am confident that I just lost my wallet which has my social security card, credit cards, checkbook, cash, id’s and everything important financially and identity wise in it. So, I’ve been dealing with that and having to worry about writing a blog seemed a little hard considering. So if this seems frazzled and incomplete it was because I was contemplating my demise and end to my identity as I imagined the scumbag who grabbed my wallet and decided to use all the wonderful jewels inside of it to rob me of money and my life. Anyway, this is about Lessig’s “Free Culture: Piracy” article, since we all know how much I love arguing about piracy to invalids who just really don’t understand, just kidding, that was that anger coming out.
“The role is less and less to support creativity, and more and more to protect certain industries against competition.” Um, okay. Here’s why this is just an incorrect statement, piracy is simply about taking something for free when there is and should be a price to it, creativity can still thrive because it can still be built upon. I think the Vanilla Ice example is important, as far as him stealing the beat from whoever the hell the band is who’s name I can’t place right now, and how Kanye West takes bits from others songs and makes new songs, because in both examples they aren’t stealing from the artist because they are totally changing and adding to what they are taking. They (the original author) shouldn’t have rights to it, the new material that Vanilla Ice or Kanye West produce, because they still did or are making money off the original, which is totally unique and different from the new product because it’s totally been altered and is used in a new and inventive/creative way. All songs, to some extent, are takes on others songs, there is only so much variation available, only so many possibilities. The combinations of instruments and sounds and beats is not limitless, eventually, intentionally or not, something will sound like something else, especially if we are exposed to alot of things and make a collection of these things in our conscious and subconscious. We can’t be like, ” Oh, no, you can’t use the guitar as your lead or as your rhythm because I have done that in my song,” well shiat! ::sarcasm:: Furthermore, Lessig quotes Winick and expounds upon how young graphic novelists in Japan teach themselves through using/viewing others works, “‘…by going into comic books and not tracing them, but looking at them and copying them’ and building from them.” I agree that all these different alternatives and takes should be available and allowed, because it does produce and encourage creativity, which is essential, but just as the comics and comic books themselves aren’t free, neither should music, and to take it as free is stealing, unless that author/s has given you permission to do so. The disney takings don’t need to be treated as wrong, and while the original author might be upset or mad I think they would agree, if smart enough, that it was fair because it was their fault that they weren’t able to do what disney did with it, creatively, marketing wise, etc. Even I am aware of that when it comes to my music, my image, or any of my ideas, or “intellectual property.”
Lessig goes on to discuss photography and the consumers use of. Photography seems totally different from the questions at hand, and seems an unfair comparison especially since people aren’t taking pictures of pictures, which has been done and argued about before, but rather of things they want to remember. It’s not like they are taking pictures of something that relies on the value of it’s image to gain a profit, like a painting or another image. If someone takes a song just to have it and doesn’t listen to it, okay, perhaps, but you are taking the song for free to listen to it, the full intent of it’s creation, the content of it’s profitability. Not allowing people to steal music doesn’t prevent them from creating and listening/accessing music, it doesn’t stop them from creating their own of that thing, as stopping people taking pictures would have. There are things that you can’t take pictures of. The difference also is this, if I pay to go to a museum, I pay to see the things there, the artists are getting paid, even if I take a picture of it, it’s not like I can sell that picture because the value doesn’t lie within that small piece of the image, its value is elsewhere.
And hello, but what is the point of discussing the news coverage around 9.11, nobody had rights over the event or really the images around it, it wasn’t like some creative, intellectual work. This seems to have little to nothing to do with piracy and seems to go off track, despite that is does deal with the internets quick and limitless dissemination amongst the public.
Now that I have time, I have returned to this post to further discuss copyright/piracy issues in regards to Healy’s Survey Article: Digital Technology and Cultural Goods. Wow, I am really pissed off at everybody for getting so greedy and trying to get everything, like music and movies, for free by pirating, ie stealing. It has made it more difficult for people who actually play by the rules (at least in this regard) to get what they deserve in an efficient and proper manner. I buy CD’s, always have and always will because I like physically owning it and feeling free to do with it as I please, and by that I mean within the legal scope of the first sale or whatever, meaning I can play and import it on my computer, burn it on a separate mix CD for myself, put it on my iPod, put it on my second computer, play it in my car, whatever. Now because of the greedy youth, for the most part, of america and other fine places, I have to deal with regulations and copy protection bull shit put on the CDs when I buy them, often causing me to screw up my computer, not be able to use the purchased CD as I like, and as I legally should be allowed, etc etc. As Healy recognizes, “it has provided vendors with an opportunity to implement even more fine-grained licensing schemes that, at the limit, eliminate the traditional benefits of ownership associated with more tangible items.” She gets it, but I am not sure she is as frustrated by the situation as I am, and I am not so much frustrated with the policy makers and regulators as much as I am the people that drove them to it, the pirates…aaaaaarrr matey! (some childish humor to lighten the mood)
Something that also caught my attention in this article, is when Healy discusses briefly how fashion designers are aware that there design could be copied, and in only a few breathes will I argue the merit of this point. The difference between clothing design and music is that in design, there is still some good to be bought, and that is necessary, the piece of clothing itself, the design isn’t solely where the money is coming from. Also, designers make money on their name and not necessarily their product or design, so this needs to be considered too. I realize he was trying to open the dialogue to more products and goods which also need to be discussed when dealing with stealing and copyright issues, but with the limited explanation it’s hard to agree with his quick analysis in respect to something else that is effected more by the technological advances, ie the internet, such as movies and music.
I feel like I had another really good point or revelation of some sort, but as usual, I have already forgotten it and it’s never coming back, so simply pretend that I have just said something absolutely brilliant and inventive! Wow, that was great, thanks! Anyway, this article did a good job of discussing the technical problems at hand, when discussing the internet and rights as opposed to what should or shouldn’t be “right.” More clearly, I feel like what I got from this article was a further understanding of why exactly I am so mad at those pirates…because they messed everything up for everyone. A good moral to be learned: Losers never win, and thieves never prosper or something prophetic like that. You get my point, that because of advances and advantageous situations, or those that seemed so at one point, we have forced upon ourselves further regulation and limitations in the end. The easiest way is not always the best way type of deal, and there’s no such thing as free, and stuff like…oh, wait, it’s losers never prosper I think…I dunno, I’ll try one more and then I give up: if it seems to good to be true, it usually is. Aha, that works. Sweet.
p.s. My wallet was returned safe and sound, nothing lost nor gained, phew!